Homespun, 2026
Homespun is a series of five autobiographical flags designed for MOCA NOMI’s temporary public art program, Art On The Plaza. Each flag is based on experiences growing up in Northwest Georgia and represents distinct moments from my childhood, touching on a variety of subject matter. Catfish, fireflies, garden produce, and familial figures serve as personal iconography from my rural nostalgia. Pieced with bright, vibrantly hued textiles, the flags' colors evoke warm memories shaped by family, home, and land. Relationally, the flagpoles are painted with vivid colors to create a cohesive installation.
The title for this series of flags is inspired by the Homespun Festival, an annual event in my hometown that showcases locally grown, crafted, or assembled products. The "proudly homemade" sentiments are an endearing homage to craft and labor. By titling this series the same name as the festival, I personalize my experience of what Homespun means to my work, values, and practice, while highlighting the manual labor that goes into each piece.
I chose flags because of the cultural significance they can hold, specifically around commemoration and memorial. In this case, it’s about remembering childhood and the labor it takes to make the veneration of growing up a point of creative inspiration. I wanted the work to result in flags because of how the material unfurls similarly to how memories come to mind. When the wind isn’t blowing, the visuals are hidden, but when there is a strong enough gust, comparable to something that triggers a memory, they appear. There is a transient nature to the flags as the sun will slowly fade the pigment, highlighting how memory can never replicate the moment, and is an evolving, ephemeral experience.
Design/Illustrations
Carrington Ware
Fabrication/Collaboration
Pangea Kali Virga <3/Carrington Ware
Installation
Andrew Arocho, David Brieske, Jethro Gedeon, and Matt Roza
The Art on the Plaza program invites artists to activate MOCA’s Plaza with temporary public installations of site-specific artworks, engaging and connecting the community with their unique and inspiring works of art.
Each selected artist is supported by MOCA through the fabrication, installation, and programming of their project.
In remembrance of all of the helping hands that pushed me in my creative journey, Working Hands reflects on familial love through the aesthetic of callow craft and imperfection. This small body of work attempts to create imagery through the eyes of my childhood, when art was not an elevated expectation but a space for unresolved, unfinished, and playful experimentation.
Currently on view at The Frank Gallery in the Voices of Experience: Invited Artists’ Works in conjunction with Imaginary Tapestries. The invited artists were presented in collaboration with Bernice Steinbaum Gallery in a previous exhibition entitled Memories of Childhood… so We’re Not the Brady Bunch.
Working Hands, 2024
Fabric, Paper, and Embroidery
Unbothered, 2019 - Quilt, Applique
Quilt, Applique